SERIES:

VIDEOSTATEMENT ·|·extimacy, 2016 ·|· VIDEOESSAY ·|·nexus — nexo, 2023 ·|·en brisant les miroirs, 2022 ·|·crear en tiempos de covid, 2020 ·|·imago imperatrix mundi, 2017 ·|·scopic drive, 2015 ·|·simone weil, 2011 ·|· VIDEOABSTRACTION ·|·water mirror, 2023 ·|·an eye around, 2015 ·|·electronic water, 2013 ·|·neón · the fire in the cities, 2011 ·|·two motions, 2010 ·|· VIDEOEXPERIMENTAL ·|·winged [seis lecturas], 2021 ·|·making wishes, 2023 ·|·digital, 2022 ·|·[in search of my lost self], 2020 ·|·hands dialog, 2020 ·|·monet impressions, 2019 ·|·web [jewels] reflection, 2018 ·|·web triptych, 2016 ·|·seis .mov en busca de autor, 2016 ·|·arte en cualquier parte, 2016 ·|·illuminations, 2013 ·|·plegaria. tres culturas, 2012 ·|·invitatio et susurro confidentialis, 2010|· ·|·del tiempo, 2007 ·|· VIDEOPOEMS ·|·elogio de la palabra, 2024 ·|·state of emergency, 2020 ·|·medea, 2020 ·|·almost invisible, 2018 ·|·noticias de damasco, 2018 ·|·illuminazioni · mattina, 2014 ·|·[meine heimat], 2012 ·|·haiku time, 2012 ·|·un minuto de tregua, 2009 ·|· VIDEOFEMINISMOS ·|·distortion, 2020 ·|·equilibrio liminal, 2019 ·|·género y especie, 2015 ·|·liquidación, 2015 ·|· VIDEODANCE ·|·unísono [unison], 2019 ·|· VIDEODOC ·|·ventresca, 2018 ·|· VIDEOSOCIAL ·|·recyclers, 2021 ·|·over red grass, 2015 ·|·silent recycling man, 2012|· ·|·sal sol, 2012 ·|· VIDEOCLIP ·|·espejismos, 2012 ·|· VIDEOPERFORMANCE ·|·elongation, 2024 ·|·contorsión especular, 2009 ·|·


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